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\"Civil Civil War Photo (M): Charleston Harbor South Carolina. View from parapet of Fort Sumter
- This is a museum-quality, reproduction print on premium, acid-free, semi gloss paper with archival/UV resistant inks.

Original, c. 1865.

Topics: US History 1861-1865

HISTORY OF THE CIVIL WAR PHOTOS

A majority of the Civil War photos come from the original glass plate negatives in the holdings at the Library of Congress. The plates depict the activities both during and immediately following the War (1861-1865). The process of taking photographs during the War was complex and time-consuming. Photographers mixed their own chemicals and prepared their own wet plate glass negatives. The negatives had to be prepared, exposed, and developed within minutes, before the emulsion dried. This was a difficult process to master in a studio setting and even more difficult to work outdoors. Photographers transported their supplies in a wagon, improvised a darkroom, and learned to use their chemicals in both the blistering heat and bitter cold. In the 1880s dry plate negatives were introduced. These glass negatives were commercially available and did not need to be developed immediately after the exposure. (Source: Library of Congress)

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\"Civil Civil War Photo (M): Edward B. Fowler 84th N.Y.
- This is a museum-quality, reproduction print on premium, acid-free, semi gloss paper with archival/UV resistant inks.

Original, c. 1860.

Topics: US History 1861-1865.

HISTORY OF THE CIVIL WAR PHOTOS

A majority of the Civil War photos come from the original glass plate negatives in the holdings at the Library of Congress. The plates depict the activities both during and immediately following the War (1861-1865). The process of taking photographs during the War was complex and time-consuming. Photographers mixed their own chemicals and prepared their own wet plate glass negatives. The negatives had to be prepared, exposed, and developed within minutes, before the emulsion dried. This was a difficult process to master in a studio setting and even more difficult to work outdoors. Photographers transported their supplies in a wagon, improvised a darkroom, and learned to use their chemicals in both the blistering heat and bitter cold. In the 1880s dry plate negatives were introduced. These glass negatives were commercially available and did not need to be developed immediately after the exposure. (Source: Library of Congress)

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\"Civil Civil War Photo (M): Fort Sumter
- This is a museum-quality, reproduction print on premium, acid-free, semi gloss paper with archival/UV resistant inks.

Original, c. 1863.

Topics: US History 1861-1865.

HISTORY OF THE CIVIL WAR PHOTOS

A majority of the Civil War photos come from the original glass plate negatives in the holdings at the Library of Congress. The plates depict the activities both during and immediately following the War (1861-1865). The process of taking photographs during the War was complex and time-consuming. Photographers mixed their own chemicals and prepared their own wet plate glass negatives. The negatives had to be prepared, exposed, and developed within minutes, before the emulsion dried. This was a difficult process to master in a studio setting and even more difficult to work outdoors. Photographers transported their supplies in a wagon, improvised a darkroom, and learned to use their chemicals in both the blistering heat and bitter cold. In the 1880s dry plate negatives were introduced. These glass negatives were commercially available and did not need to be developed immediately after the exposure. (Source: Library of Congress)

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\"1962 1962 Panagra Airlines Fly to Charms of South America Print Ad (18447)
- An original vintage magazine ad print from the year published. Print ads make unique gift items that can be framed as artwork. Shipped flat un-framed in plastic sleeve with backing board.

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\"Civil Civil War Photo (M): Alexandria Virginia. 15-inch Redman gun in Battery Rodgers
- This is a museum-quality, reproduction print on premium, acid-free, semi gloss paper with archival/UV resistant inks.

Original, c. 1861.

Topics: US History 1861-1865

HISTORY OF THE CIVIL WAR PHOTOS

A majority of the Civil War photos come from the original glass plate negatives in the holdings at the Library of Congress. The plates depict the activities both during and immediately following the War (1861-1865). The process of taking photographs during the War was complex and time-consuming. Photographers mixed their own chemicals and prepared their own wet plate glass negatives. The negatives had to be prepared, exposed, and developed within minutes, before the emulsion dried. This was a difficult process to master in a studio setting and even more difficult to work outdoors. Photographers transported their supplies in a wagon, improvised a darkroom, and learned to use their chemicals in both the blistering heat and bitter cold. In the 1880s dry plate negatives were introduced. These glass negatives were commercially available and did not need to be developed immediately after the exposure. (Source: Library of Congress)

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\"Civil Civil War Photo (M): Capt. F.S.G. De Hautville
- This is a museum-quality, reproduction print on premium, acid-free, semi gloss paper with archival/UV resistant inks.

Original, c. 1860.

Topics: US History 1861-1865.

HISTORY OF THE CIVIL WAR PHOTOS

A majority of the Civil War photos come from the original glass plate negatives in the holdings at the Library of Congress. The plates depict the activities both during and immediately following the War (1861-1865). The process of taking photographs during the War was complex and time-consuming. Photographers mixed their own chemicals and prepared their own wet plate glass negatives. The negatives had to be prepared, exposed, and developed within minutes, before the emulsion dried. This was a difficult process to master in a studio setting and even more difficult to work outdoors. Photographers transported their supplies in a wagon, improvised a darkroom, and learned to use their chemicals in both the blistering heat and bitter cold. In the 1880s dry plate negatives were introduced. These glass negatives were commercially available and did not need to be developed immediately after the exposure. (Source: Library of Congress)

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\"Civil Civil War Photo (M): 1st Assist. Engineer S.C. Wyatt USA
- This is a museum-quality, reproduction print on premium, acid-free, semi gloss paper with archival/UV resistant inks.

Original, c. 1860.

Topics: US History 1861-1865.

HISTORY OF THE CIVIL WAR PHOTOS

A majority of the Civil War photos come from the original glass plate negatives in the holdings at the Library of Congress. The plates depict the activities both during and immediately following the War (1861-1865). The process of taking photographs during the War was complex and time-consuming. Photographers mixed their own chemicals and prepared their own wet plate glass negatives. The negatives had to be prepared, exposed, and developed within minutes, before the emulsion dried. This was a difficult process to master in a studio setting and even more difficult to work outdoors. Photographers transported their supplies in a wagon, improvised a darkroom, and learned to use their chemicals in both the blistering heat and bitter cold. In the 1880s dry plate negatives were introduced. These glass negatives were commercially available and did not need to be developed immediately after the exposure. (Source: Library of Congress)

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\"Civil Civil War Photo (M): Fort Burnham Va. vicinity. Camp of the 5th Pennsylvania Cavalry near the battlefiel
- This is a museum-quality, reproduction print on premium, acid-free, semi gloss paper with archival/UV resistant inks.

Original, c. 1860.

Topics: US History 1861-1865. Military personnel Union. Cavalry Union. 5th Pennsylvania Cavalry. US Virginia Fort Burnham.

HISTORY OF THE CIVIL WAR PHOTOS

A majority of the Civil War photos come from the original glass plate negatives in the holdings at the Library of Congress. The plates depict the activities both during and immediately following the War (1861-1865). The process of taking photographs during the War was complex and time-consuming. Photographers mixed their own chemicals and prepared their own wet plate glass negatives. The negatives had to be prepared, exposed, and developed within minutes, before the emulsion dried. This was a difficult process to master in a studio setting and even more difficult to work outdoors. Photographers transported their supplies in a wagon, improvised a darkroom, and learned to use their chemicals in both the blistering heat and bitter cold. In the 1880s dry plate negatives were introduced. These glass negatives were commercially available and did not need to be developed immediately after the exposure. (Source: Library of Congress)

Available at Amazon Check Price Now!